Best of Texas Movies

Don Graham's book about Texas Movies

Here's a fun article from Texas Monthly on making movies in Texas that I just stumbled across.  A "panel of experts" (WTF that means, I'm not sure) decides the Top Ten Movies ever Made in Texas.  I'm not big on "top 10" lists about pop culture, but the article is interesting more for the details you learn about the particular films, and of course, the predispositions about the people naming them, which may serve some of you aspiring filmmakers well, especially those in our Texas Film Scene community.

While the article is from June 2011, the content is evergreen, and I think you'll get a kick out of it.  Enjoy!

Trent Haaga's new DVD out in UK

Moviemaker pal Trent Haaga has just released his very successful Dead Girl on DVD in the UK (PAL players only, sorry). But look for it soon here in the U.S.

Kick ass, Trent!

NEW! Texas Film Scene site now open!

I have thrown open the doors, ready or not, to the Texas Film Scene social network.  In 24 hours, almost 30 members have joined, formed two sub-groups within the network, and are adding content and traffic like crazy.

It's free to join, and there are tons of good tools for networking and publicizing your own events and work.  Plus, it will be a great place to meet other filmmakers without all the "noise" of Facebook or MySpace.

Pop over and see what you think!

Smart and gets things done

My buddy Joe McReynolds is a talented filmmaker (writer/director/editor/producer), who is about to lock picture on last year's feature film The Vern, in which I play- wait for it- the villain.

Joe and I are dead-friggin'-serious about making more films on our own, now that I'll be here a while longer. He just started, but he's got a great eye, and, more importantly, Joe gets things done. I love working with people like that. In fact, I refuse to work anymore with people who are not like that. I need to be more like that.

So, I'm getting off my butt, and trying to put together both a short film for me to produce/write/shoot/direct/edit, and a feature that Joe and I can work together on, along with some of our friends and professionals that we have met on the ATX scene.

If you have any advice, ideas, or suggestions, though, I would love to hear them. I'm new at this, but learning fast.

MIT Professor predicts the future

Hollywood could learn a lot from ex-MIT professor Philip Greenspun.

In 1997, Greenspun wrote a book (actually two), that predicted how important data mobility would be in all facets of business. Here's a lengthy excerpt from one chapter:

The late Ken Phillips, a professor at New York University, figured this out in the late 1970s when he set up a massive computer network for Citibank. He would ask folks what they thought AT&T's most valuable asset was. People would try to estimate the cost of undersea cables versus the fiber links that crisscross the continent. Ken laughed.

"AT&T gives you long distance service so they know which companies you call and how long you spend on the phone with each one. AT&T gives you a credit card so they know what you buy. AT&T owns Cellular One so, if you have a cell phone, they know where you drive and where you walk. By combining these data, AT&T can go to a travel agency and say ‘For $100 each, we can give you the names of people who drive by your office every day, who've called airline 800 numbers more than three times in the last month, who have not called any other travel agencies, and who have spent more than $10,000 on travel in the last year.'"

Ken was ahead of his time.

Indeed he was.

Corporations call this mix-and-matching of data "business intelligence."

Omnifocus just released task management software that uses the iPhone's built-in GPS tracking to show you tasks relevant to where you are. Near the grocery store? Don't forget to pick up these items on your shopping list. Near the bank? Don't forget to make that deposit.

How can filmmakers, both Hollywood studios and indie producers, use such technology? How about by letting people know when they are near the site of a screening? How about letting people know when they are near the location where you filmed a scene? How about observing the geographic traffic patterns of your target audience to determine the best venue for a screening? I don't know. There are probably lots of cool ideas that I can't even imagine. Remember Minority Report's constant retinal scans and personalized advertising? Spooky.

Greenspun would say that this technology is long overdue, and set to take personalization to new levels. What do you think? Post a comment below, and share your ideas!