Comcast-NBC deal on the brink

Cable provider Comcast is eyeing NBC-Universal for a price of about $30 billion, according to Bloomberg. In a previous post, I predicted this would happen, since it makes sense for cable companies to find ways to add value to customers, beyond just being a series of tubes.

What about you?

What does this mean for filmmakers, actors, writers, and directors? As with vertical integration in any industry, it should stabilize the demand for content, and those artists and skilled tradespeople who provide it... for a while. Let's face it: if you want to create art that takes $40 million of stars and special effects, you need a big studio behind you. Hollywood will continue to consolidate not only structurally, but in terms of content, too: big, comic-book, tent-pole movies will become Hollywood's main (perhaps ONLY) competitive advantage. There will be fewer shows made, probably, and they will likely continue to skew young. So if you're 18 and hungry, you should still plan on moving L.A. to jump start your movie-making career.

Regardless of NBC's short-term fate, the industry still faces larger issues, including a business model that doesn't depend on traditional commercial advertising and DVD sales. The music business highlights the importance of finding new ways to monetize digital content. NBC-Universal is a player; Universal Music Group, which bought BMG, is the largest of the "big 4" major labels.

So if you don't fit the major studio demo, or want to make movies outside that niche, try looking to the indie music industry, which is finding ways to redefine what business they are actually in.

Epic development

Paramount, Lionsgate, and MGM have launched a new TV network called EpixHD. It will feature movies that are still in the "pay TV window"; that is, after their theatrical run has finished, but before the DVD release.

What sets the new network apart, though, is that it will bundle an on-demand Internet streaming service, similar to Netflix Streaming or Hulu, allowing users to watch 720p high-def movies from the Epix catalog on demand, rather than be subject to run-of-schedule, like HBO subscribers, who are forced to endure the latest episode of Curb Your Enthusiasm 56 times in a week.

Originally, the company wanted to have cable providers like Time-Warner and Cox bundle the service with existing cable packages, shifting the burden of payment from subscribers to cable providers. Verizon, for one, said no thanks. They will offer EpixHD on their FiOS TV network, but at a $9.99 premium charge. Other cable providers and ISPs are likely to follow suit.

To combat that move, EpixHD is offering a free 30-day pass on their site. No doubt they will use information they get from you to lobby the ISPs and cable providers to bundle the channel, and to spam you with offers. But hey, it'll save you $10 or so!

iPhone Bluetooth Keyboards?

They're here! Sort of.

Some innovative companies have announced portable Bluetooth keyboards for the iPhone! (Way to be cutting edge, Apple. Palm had this kind of stuff 10 years ago for their PDAs and smart phones. Yeeesh.)

Oh, but wait- they don't actually work yet. Apple has not released drivers for the iPhone, so consumers can't enjoy this very useful technology unless we hack our phone. I wrote about the need for iPhone keyboards, and the available hacks a while back on my Easy Tech Zealot blog.

I suspect the reason is that Apple doesn't want to cannibalize possible "MacTablet" customers. Truth is, most die-hard Macheads that I know would buy both. I think Apple is missing an opportunity to cement the iPhone as the platform of choice for many users, especially with Android phones hot on their heels.

Google's Android is free, with many different suppliers, phone vendors, and price points. It's hard to compete with free, and even harder to compete with Google. Remember Yahoo, Hotmail, Outlook, Internet Explorer, and MS-Office? Google has supplanted or is rivaling all of those once-leading products. It will take time, but many phone users will choose "cheap and good enough" over "expensive and elegant." Many already have. So, lighten up, Apple. Give us the BT keyboard, already!

Curtis Wayne Demo Reel

Drawing inspiration from my fellow Texas Film Scene member Tommy Kendrick's excellent short-form demo reel, I decided to re-edit mine. I took a little different approach, since I don't have the pedigree that Tommy brings. Instead of a dozen short scenes, I used just a few scenes (still short, about 90 seconds for the whole reel), but long enough to show different looks and some acting "chops," I hope. Please let me know what you think. I would love some feedback!

NOTE: HD version is available on YouTube.

UPDATE: I have heard and obeyed! Newly-updated reel now includes clip titles, as you guys suggested. To keep it short and focused, I left out other clips from comedy roles and such. Thanks for all the great feedback, folks!

Tweeting during auditions

I'm not sure if this is bad form or not.

Daryl Eisenberg of DE Casting in New York, NY, has been using the popular insta-blog service Twitter during her casting sessions, though not during the actual auditions, she claims. As an actor, I feel empathy for the people who feel slighted by her actions, and am maybe a bit icnredulous that she was not doing it during actual auditions, though I give her the benefit of the doubt, since I wasn't there.

However, it's instructive to read what she was actually tweeting. The feedback is honest and blunt, which is what most actors need. I don't think reading the tea leaves of a casting director's musings will make us better actors per se, but it can certainly help identify and eliminate behaviors these CDs feel is "unprofessional" or even just plain old annoying.

Different CDs have different likes and disklikes, and being able to listen in on their thoughts, especially during a live casting session, seems to me like invaluable acting intelligence.

What do you think?

Comcast Century Fox?

Rumors are floating that Comcast is trying to buy a film/TV production studio (perhaps the troubled NBC?). To this, I can only say, "Aha! I knew it!"

5 movie remakes that must be stopped

My God, I had no idea! This cannot stand!!!

Indie Film Fissure Starts its Texas Screening Tour

A shameless plug for my fellow Texas filmmaker Russ Pond.

The Award-Winning, Indie Film Fissure Starts its Texas Screening Tour

Indigenous Film Works and Top Pup Media invite you and your guests to a free preview screening of FISSURE in Dallas on July 21st, Houston on July 22nd and Austin on July 23rd. Showtime is 7:30 PM. Doors open at 6:30pm. The screening is free, so seating is first come, first serve.

Fissure star James Macdonald and producer/director Russ Pond will be attending all three screenings. Please join us for a night of mystery and indie filmmaking.

Details about the screenings can be found here: http://fissure.tv/screenings

You can register for the Facebook events at the following links:

Dallas Screening - Tuesday, July 21: http://bit.ly/fissure-dallas
Houston Screening - Wednesday, July 22: http://bit.ly/fissure-houston
Austin Screening - Thursday, July 23: http://bit.ly/fissure-austin

Synopsis: Detective Paul Grunning is trying to piece together his fractured life. When a routine disturbance at the Ulster House turns into an unexplainable death, all he has worked for will be tested. James McDonald is Grunning, an ailing, addicted cop, haunted by his own bad choices. He investigates the mysterious house, only to find shifting testimonies and perplexing new clues in every room. Sifting through the erratic claims of Emma, the victim’s wife, Rachel, the seductive grad student, and Andrew, a bitterly resentful son, Grunning uncovers motives, but no real answers. Ultimately, Grunning must navigate a fractured reality and his own insecurities to find what's real.

Fissure Trailer: http://www.fissure.tv/fissure-trailer

$4.5 million gross profit on indie feature

Yeah, that got my attention, too.

My friend Joe McReynolds hipped me to Lance Weiler's feature film site. I had heard of Lance's Workbook Project, but hadn't put his face to the films. Weiler claims to have made $4.5 million from self-distribution of his first feature, The Last Broadcast. His Workbook Project is wildly popular, and has returned him more money than a book advance he turned down to start it.

DIY DAYS LA - When the Audience Takes Control - panel

Choose your rut

There is a sign on an muddy dirt road: "Choose your rut carefully. You'll be in it for the next 26 miles."

Mary and I chose Austin, Texas. As ruts go, it's pretty awesome. As major movie projects go, well, we're kind of in a rut.

Other actor friends of mine chose L.A. As big studio movie projects go, it has been, and still is, the place to be. As a place of business, L.A. looks like it's becoming a pretty big rut, according to this op-ed piece in the Wall Street Journal.

Casting director and actor Mark Sikes, along with millions of other people, think L.A. is the bee's knees. Mary and I thought it was pretty cool, too, though with all the usual caveats- too expensive, traffic sucks (REALLY sucks, not like Austin traffic sucks), and smog, though it's gotten better. As a young single person, I think it would be great. As an old married couple with kids looking for a house and good schools, not so much. Especially not as a struggling actor. But Sikes is quick to note "[Y]ou'll be here ten years minimum. If that sounds like a prison sentence then you might want to get out now. "

Hey, every place has it's good and bad.

The Texas legislature recently passed historic incentives to lure productions back to Texas. I was in Shreveport for an audition last week, and a fellow actor mentioned that the Louisiana just passed higher incentives to keep productions there. More rut for us? *Sigh...*

One attraction of states like Texas or Louisiana is the absence of city and state income taxes, like the ones that Newcombe's WSJ article rails against. You also get a lot of quality life for your money. Summer is hotter, but we don't have earthquakes. Shreveport is nice, but basically a gambling town. My agent once offered my wife and I the chance to run her New Orleans office years ago, but I'm opposed to drowning in hurricanes. A well-known movie and television star once confided to me: "Hell, yes, I'd prefer to live in Austin. What actor wouldn't? But L.A. is where the work is."

With so much capability in the hands of independent filmmakers, and the old studio model changing under our feet, it is important to look at TQL- the Total Quality of Life package for whichever rut you choose.

For us, Texas, and Austin in particular, is pretty hard to beat. Forbes Magazine agrees, with Texas claiming the top five spots for Best Big Cities for Jobs in 2009. Austin is usually near the top of most such lists, whether it's CNN, Kiplinger, U.S. News and World Report, or acting colleagues. Most actors are unemployed most of the time, so we need other jobs to make ends meet. Those jobs are getting harder to find in L.A., even waitstaff jobs, the actor's bread-and-butter gig!

So when you're considering where to hang out your filmmaker shingle, choose your rut carefully. You'll be in it a long time.